I go through phases with noodle dishes. For a long time it was pad Thai, after I learned the tricks for making it properly (cook the noodles in the sauce, not separately) at a cookery school in Chiang Mai. Then I transitioned to the even easier pad see ew, a deeply-flavoured tangle of thick rice noodles in a silky oyster and soy sauce with scrambled egg and vegetables – perfect once I discovered that ‘having a job’ and ‘spending three hours making a meal each night’ are not always compatible. My ‘diet food’ is a wholesome bowl of Vietnamese chicken pho, sipped soothingly at the end of a strenuous workout, although since I gave up meat I’ve struggled to replace the deep flavour of chicken broth. Then there is tom kha, Thai coconut broth, which always hits the spot no matter what mood you’re in, and to which I add a big handful of rice noodles, though it’s not entirely authentic. When I could afford crab (i.e. before I moved to Denmark), my noodle fix of choice was a bowl of shimmering glass noodles dressed with galangal, yuzu, soy and lime, into which I’d stir fresh crab meat, edamame beans and chunks of pomelo.
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It’s a savoury recipe! We all know what that means. Winter, or as it shall henceforth be known, the ‘anti-food-blogging season’, is over, and with its welcome departure come lengthy summer evenings, with the sun still high enough in the sky to guarantee reasonable photo opportunities for one’s dinner. People often ask me why I chose to move to Denmark, and although my usual response is a raised eyebrow and the simple statement ‘er, they offered me money’, I think I might now answer by pointing out the excellent food photography conditions provided by the languid, almost never-ending Scandinavian twilight.
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What can you tell about a person from the contents of their kitchen cupboards? When I was filmed for a cookery programme several years ago, the camera crew made me reveal, on film, the contents of my larder to prove that I was not your average student when it came to culinary ingenuity. ‘No pot noodles in my cupboard!’ they wanted me to declare with an impish grin, gesturing instead to the bottles of raspberry-infused balsamic vinegar, bergamot olive oil, buckwheat flour and dried edible rose petals. I refused, unwilling to abandon completely my dignity on national television, but they did have a point. You can infer a lot about a cook from rifling through their cupboards, whether they are of the Ottolenghi school of thought (giveaways: jars of za’atar and sumac, and wooden spoons forever tipped with purple stains from bashing out pomegranate seeds over every meal), the Nigella (fridge full of butter, double cream and bacon, mandatory carbonara-eating negligee draped over a chair), the Hugh Fearnley-Whittingstall (weird offal in the fridge and boxes of home-cured meats lying around in various stages of fermentation), or an ardent follower of the Clean Eating brigade (chia seeds, bee pollen, cacao powder, a frankly alarming and small mortgage-worthy quantity of Medjool dates). Or, of course, an indifferent, fairweather cook (large quantities of pasta in various shapes and sizes, lots of canned sauces, a jar of 'all-purpose seasoning').
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